A colossal ruin of classical antiquity — columns, entablature and a vaulted interior open to the sky — rises over tiny figures going about everyday life at its base, the fantasy of a vanished Rome animated by modern bustle. Hubert Robert painted this in 1787/88 as one of four large canvases commissioned by the financier Jean-Joseph, Marquis de Laborde, to line a salon of his château at Méréville; installed on all four walls, the set suggested the room’s walls had dissolved into imagined monuments. Robert, the most sought-after painter of architectural ruins of his generation, drew on more than a decade of study in Italy for the vision. The canvas was given to the Art Institute by Adolphus C. Bartlett. The painting is held in the Art Institute of Chicago.
The Old Temple
Public Domain
Art Institute of Chicago